Riccarda de Eccher’s sublime watercolors of mountain peaks offers a similar exploration of familiar images. In this case, her works evoke picturesque representations of snow-capped mountains from the Italian Alps. de Eccher’s watercolors offer a subversion of our current age in which the internet images to be vastly and readily shared, especially those that are hi-resolution and digitally retouched. On view concurrently with Marc Trujillo: American Purgatory, her works correlate with Trujillo’s paintings: though titled, her pictures are cropped so that they convey anonymous mountains that could exist on almost any continent. As an Italian native and frequent mountain-climber, de Eccher uses her works to explore humanity’s relationship with mountains throughout history.